言葉セット · Kotoba Setto Open the app

Hiragana and katakana

Japanese is written with two syllable alphabets of 46 characters each. Hiragana carries the grammar and native words; katakana spells borrowed ones. They are the first thing to learn and the only part of the language worth memorising by brute force — everything after them gets easier. Below there is a drill that reads each character aloud as you get it right, and a chart made to be printed.

Practice

Type the romaji. Nothing to press: the moment what you have typed can only be the right answer, it moves on and says the character out loud.

Writing system

Variants

The chart

Click any character to hear it. Printing gives you whichever script is showing, all three tables, on one landscape page — switch to the other and print again for the second sheet.

Monographs

The 46 basic sounds, the gojūon. Read down the columns: a-i-u-e-o, then those five vowels again with each consonant in front. Learn these first — the other two tables are built out of them.

a
i
u
e
o
ka
ki
ku
ke
ko
sa
shi
su
se
so
ta
chi
tsu
te
to
na
ni
nu
ne
no
ha
hi
fu
he
ho
ma
mi
mu
me
mo
ya
yu
yo
ra
ri
ru
re
ro
wa
wo
n

Diacritics

The same shapes with a voicing mark added. Two small strokes (dakuten) turn into , into , into and into ; a small circle (handakuten) turns into . No new shapes to learn.

ga
gi
gu
ge
go
za
ji
zu
ze
zo
da
ji
zu
de
do
ba
bi
bu
be
bo
pa
pi
pu
pe
po

Digraphs

A small written after an i-row kana. The two characters are one syllable: is kya, not ki-ya. A full-size would make it two.

きゃキャkya
きゅキュkyu
きょキョkyo
しゃシャsha
しゅシュshu
しょショsho
ちゃチャcha
ちゅチュchu
ちょチョcho
にゃニャnya
にゅニュnyu
にょニョnyo
ひゃヒャhya
ひゅヒュhyu
ひょヒョhyo
みゃミャmya
みゅミュmyu
みょミョmyo
りゃリャrya
りゅリュryu
りょリョryo
ぎゃギャgya
ぎゅギュgyu
ぎょギョgyo
じゃジャja
じゅジュju
じょジョjo
びゃビャbya
びゅビュbyu
びょビョbyo
ぴゃピャpya
ぴゅピュpyu
ぴょピョpyo

ぢ and づ are faded because they are rare: they sound identical to じ and ず, and turn up mostly where a compound voices a syllable, as in 続く (つづく).

Characters people mix up

Almost everyone loses time on the same handful of look-alikes. Each of these has one detail that settles it.

shi  ·  tsu

Both have three strokes. is written left to right and its long stroke sweeps up from the bottom left; is written top to bottom and its long stroke comes down. The two short marks follow the same logic: side by side on , stacked across the top on .

so  ·  n

The same rule in two strokes. sweeps up from the lower left, like . comes down from the top, like . Learn the / pair and this one is free.

ku  ·  wa

has a sharp corner at the top and a short first stroke. is wider, rounded at the corner, and its opening is broad. (ke) joins this group: it is with a stroke through the top.

nu  ·  me

Identical except for the ending: finishes with a loop, does not. If it has a tail tied in a knot, it is .

re  ·  ne

Same left side, different finish. ends in a closed loop, in an open hook that flicks outward. (wa) is the third of the set: same left side, no loop and no hook, just a round turn.

sa  ·  ki

has two crossbars, has one. The lower curve is the same on both.

How to go about it

Hiragana first, on its own, before touching katakana. The two look alike enough that learning them together blurs both, and hiragana is what you will actually read first.

Work in rows rather than all 46 at once: あいうえお, then かきくけこ, and so on. Run the drill on what you have covered so far, not on the whole set — being shown characters you have never seen teaches nothing and just makes the score look bad.

You know a character when the sound arrives before you have thought about it. Until then the romaji under it in the chart is a crutch that quietly slows you down, so drop it as soon as a row starts to stick. Reading anything real, even a menu or a song title, will do more for the last stubborn few than another pass through the table.

Once the characters are automatic, the useful next step is reading words rather than single sounds — which is where an app that keeps track of what you have met is worth more than a chart.